Mother and Child - a working diary
     
Introduction
31st March 2006
 
 

My Dad was so pleased when I told him I was being commissioned to do a statue of the Mother and Child.

I had been asked by Councilor Gabor to carve a statue to stand outside St Paul's RC Church in Poynton and I couldn't wait to tell my father.
He came over all religious and proceeded to explain the significance within the Catholic Church. I was so impressed, I don't think I have ever heard him actually get excited about a piece of sculpture before, or any art for that matter.

"A Pietà"

He then proceeded to explain that it is a religious term relating to a specific type of sculpture, which to me sounded excellent, Italian and very Catholic.

"It's a sculpture, representing the Virgin Mary and Jesus" he replied

"Great" I thought to myself, "I must mention it at my next meeting with Councilor Gabor and Canon Harry Stratton, that will impress them".

Luckily I didn't. For now I have checked in the dictionary and found it's true meaning. Yes it does refer to a sculpture of the Virgin Mary but not holding the newly born Christ or the young infant Jesus as I had assumed, in fact it refers to a much later episode in the Story of Jesus.

pietà /pjer'ta:/ · n. a picture or sculpture of the Virgin Mary holding the dead body of Christ on her lap or in her arms.
- origin Ital., from L. pietas 'dutifulness'.

 

Death seems to be a current theme in our own family's thoughts these days. Our own mother has recently died, two weeks ago actually and I'm still waiting for that 'grief hit' to hit me. (As I'm told it should and will). I've seen my Father sobbing after an obvious hit, and my eldest brother has shown signs of the occasional crumble. But so far I have felt nothing of the expected emotion. I cried and had to rethink my life after my younger sister died a few years back, why am I not doing the same for my own mother?

Councilor Gabor speaks to me as if he has known me for years, and tells me everything happens for a reason, I respond in ways I don't expect. Things do seem to be happening. But I have no idea what the reason is.

 
SCULPTURE
 

A Chance for a re-think of my own life.

I started carving probably at the same time my sister Jenny was starting to suffer from Cancer, a cancer which finally ended her courageous fight a few years back leaving me confused and my family shocked. And for the first time in my life showed me dramatically that life has a start and finish.

I like the idea of producing something that has a long term life, something that will last beyond my own mortal body. I guess the traditional view on this involves the belief in the everlasting God and Jesus, or the fulfillment of children, grandchildren and the passing of genes to future generations.

I'm probably thinking out of my intellectual capacity now but recent events have started to make me question things, which must be good I suppose. Why do bad things happen? Why did my sister die before we had a chance to show each other what we can do? Why is my father confused? Why do I not grieve for my mother? What do people think of my sculpture? Is it important?

It was my mother who rekindled my interest in art and eventually sculpture, we would have long late night conversations on the importance of the early Renaissance, smoking cigarettes and discussing how Renoir and Mattisse were masters at their chosen medium. Always amazed at my Mum's knowledge, but my artistic ignorance usually resulted in concentrating on the one item I know and love (Sculpture of a dancer in a tutu - by Degas).

So far I have "played" with the art and I've been experimenting with concepts and different materials, my early works I would consider a pure experimentation (al2 - al7) My later work is starting to have more meaning and I'm hoping this will flow into this latest work which is the first commission I have been asked to do.

My work can be seen on the VMA web sitewww.venon-mill-artists.co.uk where I have a studio.

But what of the art I have been asked to create. It's an important process for me to go through, I feel I need to do it right, I feel I need to do the subject justice, In feel I need to understand the subject a whole lot more than my forgotten catholic training ever gave me. So I ask my most recent catholic acquaintance; Annie Donnelley is probably one of the most remarkable woman I know, I've never seen a happier women, her strong catholic convictions but understandable concerns at the teaching of the faith have suggested I'm not alone in being confused at the traditional teaching of the church. She is my brothers' new mother in-law and doesn't fit the mold. After the wedding I must have discussed this commission with her in depth which I don't remember for less than a week later I received a parcel of Mother and Child reference material.
Which is now opening my eyes.

 
FROM CONCEPT TO COMPLETION
 

The next few pages are meant to show my working diary. A glimpse at my thoughts and ideas and the procedures required to arrive at the finished sculpture.

Many of the processes are new to me as this is my first large piece and my first commission. Hopefully I can provide an open and honest insight to 'behind the scenes' of creating this sculpture.

I will be updating these pages regularly during the whole process so please return as often as you can to find out how things are progressing and please let me have your comments as any feedback (positive or negative) is always good.
Click here to add your comment

Please enjoy.


 
12th April 2006
 
  
My initial sketches show a selection of poses which I am trying to develop for the carving, one is taken from an existing sculpture the others are from research photo's and composites. I need to provide some material that will help raise some money to pay for this sculpture, so I've decided to do this series of sketches as possible poses and hopefully this weekend I will do a clay model or two to show the possible stylization in 3D that I would like to use - it's practically impossible to give a true impression of the final work using 2D sketching, the sooner I can start working in 3D the better. But even this won't give a true reflection of the final piece, I believe that working in stone needs to be direct and not totally influenced by previous models or sketches.
  
 
Once the commission is definite and the money has been raised I plan to use a model to pose for me, I have a few in mind who are personal friends and have young children, I think it is important that real mothers and children are used, but I just hope they will be willing to help.

17th April 2006

 
So much for the 3D modeling, after several aborted attempts in clay I've decided I need to construct a maquette properly so I can be sure of the correct body proportions. In the meantime I have produced these design sketches to help with the planning application and the raising of the funds
 
 

 
9th May 2006

Still waiting to hear from Councilor Gabor.
At our last meeting I presented him with the above visuals and sketches, which seemed to go down well. It's now in the hands of the town planners so wish me luck.

I have been doing a little more work with the sample of stone I was able to get from our proposed quarry in Bollington. It's quite a dense sandstone which allows good carving and some nice crisp edges. However, being a sandstone it is causing a few problems with my tools. Standard chisels are quick to wear down. I think I will need to order some Tungsten tipped claws and points.

A good friend (Trish) in London has kindly offered to pose for me which is great news, so I am looking forward to spending a few days with her and her children in a couple of weeks.


 

30th May 2006

Just had a quick update from Councilor Gabor, Canon Harry is away and we are still awaiting approval from the planning application. Oh well I guess it is wait and see.


 
21st June 2006

After deciding to continue work on the project even though I still have not had an official go ahead, I have been working on a maquette which will help me with the final carving in stone.

Modeled using Chavant Modeling Clay (Plastelene) this maquette stands about 14in high.

This gives a good representation of what I think the final carving will look like. However as with all stone carving I have to let the stone dictate its shape.

 

 

 
21st August 2006
Still awaiting planning permission

 
1st September 2006
Planning permission has now been granted, so we can start to get things moving.
The next stage is to start raising the money, as soon as we have enough I should be able to order the stone from the quarry.

 
27 July 2007

Never make assumptions. Although everyone involved has the best of intentions you can never be sure of anything. I guess I am just experiencing the nature of this type of work and commitment.
Unfortunately the original stone commission has just not materialized.
However I am keen to make the most of the work I have done so far. The maquette that I have made is a perfect piece for me to use to experiment with the casting process. I have been playing with Cold Casting Bronze and have successfully created a finished piece which I can offer as a limited edition of 16